Professor, Ph.D.

Latin Amercian Art

Department of Art & Art History

- Office: DFA 2.118

- Phone: +1 512–232–2319

- Mail Code: – D1300

Professor Andrea Giunta received her PhD from the University of Buenos Aires, Argentina. She was awarded with the Harrington, the Guggenheim, the Getty Postdoctoral and the Rockefeller Fellowships. Funder and first Director of the Center of Documentation, Research and Publications, Centro Cultural Recoleta, Buenos Aires. Director of the Books collection Arte y Pensamiento, Siglo XXI, España, Argentina, Mexico. She published the books Post crisis. Arte argentino después del 2001, Siglo XXI, Buenos Aires, 2009; Vanguardia, internacionalismo y política. Arte argentino en los sesenta, New edition by Siglo XXI, Buenos Aires-Spain-Mexico, 2008 (First edition by Paidos, 2001 and 2003) Translated as Avant–Garde, Internationalism and Politics. Argentinean Art in the sixties, Durham & London, Duke University Press, 2007. *Awarded by the Association of Latin American Art – affiliated to the College Art Association – as the Best Scholarly Book on the art of Latin America from the Precolumbian era to the present and by the Argentinean Association of Art Critic as the best book of the year. Goeritz/Romero Brest. Correspondencias, Instituto de Teoría en Investigaciones Estéticas "Julio E. Payró," Facultad de Filosofía y Letras, Universidad de Buenos Aires, 2000.

She published as editor and co–editor:

• Metróplis de papel. Revistas y redes internacionales en la modernidad artística latinoamericana (forthcoming by Biblios, Buenos Aires, 2009)
• El Guernica de Picasso entre Europa, Estados Unidos y America Latina (forthcoming by Biblios, Buenos Aires, 2009)
• El Caso Ferrari. Debates y polémicas durante la Retrospectiva realizada en el Centro Cultural Recoleta, Buenos Aires, Licopodio, 2008.
• León Ferrari. Works 1976–2008. RM Press. México City, 2008 (bilingual edition)
• Latin American and Chicano/a Art Criticism Since the 1940s: Between Modernity and Globalization 2002–03. Anthology (Co–editor with Alejandro Anreus, Holly Barnet–Sanchez, and Florencia Bazzano–Nelson (forthcoming).
• León Ferrari. Escritos en el aire, 1961–2005 (Editor), Museo Nacional de Bellas Artes de Neuquén, Neuquén, 2005. Arte de posguerra. Jorge Romero Brest y la revista Ver y Estimar (1948–1955), (Co–Editor with Laura Malosetti Costa), Buenos Aires, Paidós, 2005.
• Cándido Portinari y el sentido social del arte (Editor), Buenos Aires, Siglo XXI , 2005.
• Leon Ferrari Restrospectiva 1954–2004 (Editor), Centro Cultural Recoleta–Museo Latinoamericano de Buenos Aires, 2004 (bilingual edition in Spanish and English).

  *Awarded by the Argentinean Association of Art Critic. Second edition in Portughese and English by Pinacoteca de São Paulo, Centro Cultural Recoleta and Museo de Arte Latinoamericano de Buenos Aires, São Paulo, 2006)

• Inés Katzenstein and Andrea Giunta (Editor and Co–editor), Listen, Here, Now! Argentine Art in the Sixties: Writings of the Avant–Garde, The Museum of Modern Art, New York, 2004.
• Et.al. Jorge Romero Brest. Escritos I (1928–1939), (Compilador), Buenos Aires, FFyL–UBA, 2004.
• Co–Editor with Enrique Oteiza et al., Cultura y política en los años '60, Instituto de Investigaciones Gino Germani, Facultad de Ciencias Sociales, Oficina de publicaciones del CBC, Universidad de Buenos Aires, 1997.
• She published more that 100 articles in journals and exhibition catalogues.
• Currently she is CoDirector of the Permanent Seminar in Latin American Art and the Center for Latin American Visual Studies (PSLA at CLAVIS), College of Fine Arts and Department of Art and Art History, The University of Texas at Austin