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This section deals with the basic identity elements: wordmarks, logotypes, endorsement guidelines, college colors and typefaces that form the basis of our visual identity.
The College of Fine Arts' name, wordmark, and logos are property of the college. These elements may not be used to designate a business, social, political, religious, or any other organization, or to imply or otherwise suggest the college endorsement, support, favor, association with any organization, product or service without permission of The College of Fine Arts.
For more information concerning the use of the college's name, wordmark or logo please contact:
Leslie Lyon
Director of Public Affairs
512-475-7033
leslie.lyon@mail.utexas.edu
The College of Fine Arts' name is an important element in the college's identity system. By using the official name of the college consistently, we build greater recognition for the institution.
The recommended designations for the college are:
Formal: The College of Fine Arts at The University of Texas at Austin or The University of Texas at Austin College of Fine Arts
Second reference: the college or The College of Fine Arts
When used in copy the complete name “The College of Fine Arts at The University of Texas at Austin” should be used upon first mention. Thereafter “the college” may be employed.
Our identity hinges on the words “The College of Fine Arts at The University of Texas at Austin” or “The University of Texas at Austin College of Fine Arts.” Do not use the acronym “COFA” when communicating to mixed or external audiences. Beyond our community of “insiders,” this acronym is not recognized and may be confused with other institutions.
The formal name of the college must be on all legal documents as well as college print and electronic publications.
When employed in a graphic context the college wordmark should always be used.
The College of Fine Arts wordmark is the primary means by which we are recognized and should appear on all our forms of communication. The wordmark has been specially drawn and spaced and must never be redrawn or changed. The wordmark should never be stacked or positioned in any way other than designated by these guidelines.
The wordmark is available in horizontal and vertical formats, and you may use either version depending on the requirements of your design.
This version is recommended when space limitations or design call for a vertical treatment.
When reproduced in color the wordmark should always appear in The College of Fine Arts signature color—cool grey 4. No other color is acceptable, with the exception of black for use on faxes, memos and in newspapers, and white for reverses on dark backgrounds. The wordmark must always show clearly and should not be used with patterns or colors that are distracting or do not create sufficient contrast with the wordmark.
The wordmark should preferably be used on a white background. On occasion, it may be reversed out to white for placement over images or spot colors (for information on the incorrect use of the wordmark refer to next section).
The wordmark should not be crowded by other elements. The space around each side of the wordmark is equal to half the height (1/2 H) of the entire wordmark. No other elements should fall within this area.
The consistent application of The College of Fine Arts wordmark is essential to building and maintaining our identity. Always follow the guidelines presented in these graphic standards. The wordmark should never be altered or redrawn in any way.
The examples on this page illustrate several unacceptable uses of the wordmark. Always use the appropriate reproduction digital art for the wordmark. Questions regarding the use of the wordmark must be resolved through the College of Fine Arts Public Affairs Director.
![]() Do not condense, expand or distort the wordmark in any way |
Do not embed the wordmark in text |
![]() Do not use the wordmark on a background or color that is distracting and interferes with legibility, or does not provide sufficient contrast for the wordmark |
![]() Do not link or add any text or graphic elements to the wordmark |
![]() Do not recreate the wordmark |
![]() Do not use the wordmark in any colors other than the approved colors described in the guidelines |
Do not alter the scale of the University wordmark in relation to the college wordmark |
Do not alter the position of the university wordmark in relation to the college wordmark or rearrange the elements in any way |
The following represent the official colors of the college.
These colors apply only to publications that represent the college as a whole, or to publications issued by divisions that serve the entire college.
Departmental publications may use other colors representative of their own identity.
Green |
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![]() dark green 64 22 74 4 Web: 669966 |
![]() light green 41 12 68 0 Web: 99CC66 |
![]() olive green 15 0 68 39 Web: 999966 |
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Blue |
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![]() dark blue 72 58 21 3 Web: 666699 |
![]() light blue 49 16 7 0 Web: 66CCCC |
![]() opaque blue 100 59 40 1 Web: 006699 |
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Red/Purple |
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![]() red 72 58 21 3 Web: 993333 |
![]() purple 41 12 68 0 Web: 663399 |
![]() opaque red 100 59 40 1 Web: 993333 |
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Yellow/Orange |
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![]() mustard 20 40 96 2 Web: CC6633 |
![]() dark tan 27 70 86 17 Web: 996633 |
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Grey |
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![]() cool grey 0 0 0 30 Web: CCCCCC |
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These colors have been selected to be used as accent colors only.
These accent colors apply only to publications that represent the college as a whole, or to publications issued by divisions that serve the entire college.
Departmental publications may use other accent colors representative of their own identity.
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The college's typographic identity is visible across many applications, including print, electronic and environmental displays. In order to communicate in a consistent tone, type selections have been made that best represent the voice of the college.
These typefaces apply only to publications that represent the College of Fine Arts as a whole or to publications issued by divisions that serve the entire college. Departmental publications may use other typefaces representative of their own identity.
The following fonts are used primarily for print applications. If you do not have the primary font, there is an alternative font suggested.
Headers
In order to create a cohesive look and feel, Garamond should be used for headlines. The typeface is available worldwide in both PC and Apple Mac formats. Do not substitute any variation other than those listed below.
Garamond regular
Alternate font: Times New Roman
ABCDEFGHIJKLMNOPQRSTWXYZ
abcdefghijklmnopqrstwxyz
1234567890
Sub Heads
Garamond Bold
Alternate font: Times New Roman bold
ABCDEFGHIJKLMNOPQRSTWXYZ
abcdefghijklmnopqrstwxyz
1234567890
Text
The Garamond Regular typestyle adds a strong representational quality to the words we use. This typestyle has a classic feel and implies a knowledgeable voice. The font was specifically created to be legible. The typeface is available worldwide in both PC and Apple Mac formats. Do not substitute any variation other than those listed below.
Garamond Regular
Alternate font: Times New Roman
ABCDEFGHIJKLMNOPQRSTWXYZ
abcdefghijklmnopqrstwxyz
1234567890
Headers:
Univers 65 Bold
Alternate font: Helvetica bold
ABCDEFGHIJKLMNOPQRSTWXYZ
abcdefghijklmnopqrstwxyz
1234567890
Text:
The Univers 45 Light typestyle was specifically designed to express a contemporary feel and imply a knowledgeable modern voice. More than most typefaces, Univers has a number of fonts and weights associated with it which allows for a great deal of flexibility. As with all sans-serif faces, adequate spacing between lines is required to maintain legibility. The typeface is available worldwidem in both PC and Apple Mac formats. Do not substitute any variation other than those listed below.
Univers 45 Light
Alternate font: Helvetica
ABCDEFGHIJKLMNOPQRSTWXYZ
abcdefghijklmnopqrstwxyz
1234567890
Do set type:
Do not set type:
Copyright 2008, College of Fine Arts,
The University of Texas at Austin